Browsing: Review

Released on April 11, this slow-burning psychological thriller doesn’t rely on predictable tropes or recycled plot lines. Instead, it offers something visually striking, emotionally intense and cinematically different. If I could rate it, I’d give it a solid four out of five stars.

At its core, Reacher is a power fantasy. It lets its audience imagine a world where injustice doesn’t go unpunished — where a six-foot-three giant like Reacher can show up and save the day whenever needed. It’s this same fantasy that made season one a smash hit years ago. While season three tries to go back to the same basics that made it popular, it unfortunately falls short of the high standard’s set.

We’re officially one Tunesday closer to spring break. Keep on sticking it out. In the meantime, here are some pop and indie hits from this weekend to keep you going.

“Companion” struggled to find its identity. It’s a jack of all trades in the sense that it fits into a ton of different genres, but it truly was the master of none. It wasn’t scary enough to be horror, wasn’t funny enough for comedy, wasn’t romantic enough. Any genre you’d think of — it wasn’t enough.

What happens when you mix Y2K hysteria, campy death scenes and a cameo from The Kid Laroi? You get “Y2K,” a time capsule of chaotic fun that doesn’t take itself too seriously. This movie blends nostalgia, humor and a dash of absurdity into an unforgettable cinematic experience.

After weeks and even months of choreographing, practicing and dancing ‘til they drop, the performers of Pigskin had their moment of glory tonight. After the homecoming court was announced and the curtain was dropped, it was showtime.

On the other hand, while it seems like repetitive components of this album are sometimes there to take up space, people can’t forget that Coldplay has always been able to say a lot through saying a little. They do this through their unique music and sounds, and sometimes repetitive phrases help better communicate their message.

Starting his career in 2015 with the release of “Bcos U Will Never Be Free”, O’Connor set a new standard for the indie music community, creating a new genre known as “bedroom pop.” His music creates a narrative for teenage boys — talking about hard-to-discuss topics like love, depression and loss.

I’m not going to lie — I walked into the Waco Cinemark with expectations for this movie that weren’t exactly positive. Based on comments from friends and on social media about themes of supposed glorification of domestic violence in the film and simply knowing Colleen Hoover’s reputation for raunchy romances, I wasn’t expecting “It Ends With Us” to be my cup of tea — and it really wasn’t.

Illumination and Nintendo did not hesitate on filling the movie in with cameos of every character they could that has been in a Mario game. From Super Smash Bros., to the Captain Toad games, to Mario Kart, this movie had everything thing that you could think of, making it the ultimate love letter to the character that made Nintendo a household name.