Despite the work that goes into each position, each Waco Hall staff member pointed to others as the essential pieces in Sing’s success. Spring senior Jillian Herman noted the efforts of the performers themselves, Brazoria senior Isabella Davis the dedication of professional Waco Hall staff and Plano junior Oliver Dillard the importance of stagehands. All three conveyed Sing as a tradition not marked by performances or ticket sales, but by the cooperation of all parts in one machine.

According to Plano junior Oliver Dillard, a Waco Hall Ticketing Office staff member, the ticketing office allocates a set number of tickets to administration each year. The seats are usually in the center orchestra, and many are still unclaimed by the time Sing comes along. These tickets open to the public an hour before each show, so students can come early to secure a last-minute ticket.

Nearly 75 years ago, Baylor’s All-University Sing had little the pomp and circumstance it does today. On a rainy spring night in April 1953, a meager 13 souls gathered into Waco Hall to watch just eight groups perform after the weather had relocated them from their original location at the SUB Bowl.

CURRENT PRINT ISSUE

While most of Baylor’s defense will be new this upcoming season, the linebacker room will be bringing back key players from a year ago. The linebackers look to be a consistent presence on a brand new defense.

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All Are Neighbors, held in the Cashion Academic Center, drew 270 ticketed attendees, totaling 352 people, including VIP guests and speakers, nearly filling all available seats. The event was created in response to TPUSA’s presence on campus, but speakers and organizers consistently emphasized that the gathering was not merely reactive. Instead, it functioned as a faith-centered call to action, rooted in Christian teaching and expressed through civic engagement.

ARTS & LIFE

In a fast-paced world where “influence” is king, sometimes the greatest service we can render to our fellow man isn’t our advice, but our questions. All we want is to feel heard, to have influence, to feel needed. But when my speaking, influencing and importance come up against the teachings of Jesus, the choice is clear. I must cede to the one who died for me.

Snapchat is a social media platform that should be left in the past, where it belongs. If you want a career after college, do your mental health and authenticity a favor and move on from old habits. Snapchat feeds a self-destroying cycle.

Even as I’ve grown further from the target reader’s age and my peers have picked up books that aren’t written in Comic Sans, I have stuck around. The elementary school days waiting in the library for the newest title are gone, but the books still come to me through Amazon orders and half-serious birthday gifts.

Somewhere along the way, Christian music lost that edge. The industry leaned hard into worship pop, the kind of music that works well for congregational singing but leaves little room for anything else. Those songs have their place; they’re accessible and uplifting. But when they become the entire identity of Christian music, something important gets lost. Faith isn’t always neat, and the music should reflect that.

The association of reading and school work killed many of our desires to get lost in a good piece of literature. That association only grew stronger as we entered college, with numerous pages of reading assigned each night. Not only did we lack any desire, but now we had no time in which we could.

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