As far back as I can remember I’ve been enamored with the George Washington Bridge. There’s a certain je ne sais quoi about it that boggles my mind and sends my heart aflutter. Truth be told, I’ve wanted to write a piece about this man-made wonder for a while, but I was worried I couldn’t do it justice.
Making the case that a large majority of today’s television is awful only requires examining two specific networks and how much they have each devolved.
For the past week, the only movie title I’ve heard anyone talking about is “Cabin in the Woods.”
His Awesomeness, Jason Statham, has let it be known that he chooses his films based on the fight choreographer the producers hire. Often as not, that blows up in his face. Why else would the Human Bullet from Blighty end up in dogs like “War,” “Transporter 3” and “Death Race”?
John Cusack has heard the sniping. He’s Internet savvy, a big-time Twitter user. So he knew Edgar Allan Poe fanatics were complaining about the movie he was making about the writer.
Baylor’s film and digital media department has undergone changes over the years. No longer does the industry revolve solely around 35mm film cameras. The digital age is abundantly present.
A few films into their Disneynature movie-making experience, producer-directors Alastair Fothergill and Mark Linfield, veterans of the BBC’s acclaimed “Planet Earth” series, figure they’re finally getting the hang of Disney.
“The Three Stooges,” directed by Peter and Bobby Farrelly, was not the box-office comeback the filmmakers hoped for.
Massachusetts, you’re out. Ohio? Sorry, another loser. In the race for cultural mecca, the winner is: Oregon.
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The Lariat's best photos of 2011-12.
