Browsing: Arts and Entertainment

What would have been a regular Tuesday night was made grand and dynamic by the performance put on by Baylor’s Wayne Fisher Jazz Program during their finale concert of the season at Jones Concert Hall. Commenced with the drums, the heartbeat of the band, and concluded with one triumphant, brassy blast from the ensemble, the concert jazz performance was an eclectic earful throughout.

“I think more Baylor students should kind of get involved,” Chambers said. “I didn’t even know that the Waco Friends of the Climate was as active in the community as they are, which is really awesome. You know, nothing is going to change unless so many people get involved.”

Hippo Campus is criminally underrated. The band just came out with an EP, “Wasteland,” which leaves you wanting much, much more at a curt 18 minutes. “Moonshine” is perfect, full stop. It’s happy, so pretty and has a whole ecosystem of backing instrumentals that make the very first listen a beautiful surprise.

Illumination and Nintendo did not hesitate on filling the movie in with cameos of every character they could that has been in a Mario game. From Super Smash Bros., to the Captain Toad games, to Mario Kart, this movie had everything thing that you could think of, making it the ultimate love letter to the character that made Nintendo a household name.

Daniel Caesar returned with his fourth album, “NEVER ENOUGH,” featuring some collaborations with favorites like Omar Apollo and Ty Dolla $ign. On “Always,” Caesar sings alone, but is nevertheless captivating with his buttery R&B vocals. It’s a sweet song, really romantic in comparison to some of the others on this album, which swing a little bit toxic or just plain sad, like “Valentina” or “Buyer’s Remorse.”

However, Catholic churches are not the only point of emphasis in the exhibit or in Hafertepe’s upcoming book. There is heavy emphasis on many denominations, from historically Black Methodist and Baptist congregations to Jewish synagogues.

The music you play at your wedding can influence the event all day long, and picking the right songs means you’ll be instantly transported back to that day with each listen. Here are some suggestions for your big day playlist.

Deep in the Heart Film Festival | March 31 | 7 p.m. | See passion projects, short films and more from young, aspiring filmmakers to seasoned professionals, all from here in Waco.

To me, one of the best sides on Earth is a slice of bread. Not just any bread, but a crispy slice of Italian restaurant bread dipped in olive oil and balsamic glaze. It’s the perfect compliment to most dishes, but especially a good, comforting pasta.

As bands like fooligan, Hunter Cox & The Big League Boys, sack lunch!, Montclair and Rococo Disco projected out into Fountain Mall, the ears of those in the crowd were met with colorful rock and indie tunes. Not far off, more music sounded at the SUB Bowl stage, hosting bands and artists like SUNNN, Braden Black, Secondhand Son and Brother Boy.

Not to depress you or anything, but, not to worry — “Boyhood” is actually really upbeat, so you won’t get sad if you don’t listen to the lyrics. Just block it out, you guys.

This year’s musical act is somewhat different from last year’s, when Apollo LTD headlined on Fountain Mall. Whaley, the drummer for Sunnn, said Baylor’s decision to highlight student and local bands instead of outsourcing the music, is a blessing and feels like a nod to their talent.

“Jimmie and Stevie Ray Vaughan: Brothers in Blues” documentary | March 27 | 7 p.m. | Waco Hippodrome Theatre, 724 Austin Ave. | Come see the work decades in the making by one of Baylor’s own alumni, exploring the stories of these two Texan blues legends.

In honor of Taylor Swift’s The Eras Tour kicking off over the weekend, the Arts and Life desk (and some of our friends) wanted to chip in with our favorite Taylor Swift songs. Consider this our very own Eras Tour setlist, if we were calling the shots. Ready for it?

As the piece came to a close after riding the highs of Beethoven’s hope and the lows of his torment, the piano accompaniment and voices faded, but the choir kept ‘singing.’ In silence their mouths moved, and Holmes continued to conduct as if to convince the audience and allow them a taste of Beethoven’s inevitable surrender to his deafness.