What happens when you mix Y2K hysteria, campy death scenes and a cameo from The Kid Laroi? You get “Y2K,” a time capsule of chaotic fun that doesn’t take itself too seriously. This movie blends nostalgia, humor and a dash of absurdity into an unforgettable cinematic experience.
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Much like the rest of the College of Arts and Sciences in October, the Film and Digital Media department is abuzz with classes, screenings and filmmaking. For those in other departments, filmmaking may seem like more fun than it is toil. But even just a five-minute film can take weeks and even months of work, according to Waco senior Avery Ballmann.
Some may find it an inspiring reflection on the nature of civilization, while others may be frustrated by its narrative inconsistencies. However you feel about it, I think the film did its job.
Bring a box of tissues and run to see this heartwarming comfort movie to remind yourself that everything will be alright as we approach the midterm season. Enjoy an hour and 40 minutes of beautiful animation and adorable animals, and rest assured — there will be no dry eyes by the time the credits roll.
According to Chris Hansen, chair of the Film and Digital Media department, there was already a two-year Master of Arts program in place, but the department had been wanting to create a three-year Master of Fine Arts program to give students a chance to better develop their craft.
Being someone who was first frightened by the eclectic sandworms when I was 6 years old but immediately fell in love with the film, I did not have a second film on my 2024 bingo card. With that being said, my bingo card is now in the trash, and I am eager to announce that “Beetlejuice Beetlejuice” is a masterpiece sequel.
Despite the many comforts and amenities theaters have gained over the years, it just doesn’t seem to be enough to keep viewers coming back for more.
I’m not going to lie — I walked into the Waco Cinemark with expectations for this movie that weren’t exactly positive. Based on comments from friends and on social media about themes of supposed glorification of domestic violence in the film and simply knowing Colleen Hoover’s reputation for raunchy romances, I wasn’t expecting “It Ends With Us” to be my cup of tea — and it really wasn’t.
You’ll never be able to view tennis the same way.
Every time a new movie adaptation rolls around, you can’t escape the criticisms that come with it. Everywhere you turn, you hear, “The book was better,” “They’re going to butcher the story by turning it into a movie” or “Did you hear that they aren’t including [insert character] in the movie?” And honestly, it’s getting a little old.
I know a battle for spice, the “Lisan Al Giab,” riding giant sandworms and a weird, bald Austin Butler may not sound like a classic recipe for success in the film industry, but that combination delivered the best movie of the year in “Dune: Part Two,” and it’s only April.
When it comes to telling a historical story, especially one about clandestine murders and marginalized groups, audiences must put trust in the director’s research. “Killers of the Flower Moon” does not let audiences down.
I found myself laughing at every turn but feeling emotional as well. It’s evident Po went through some serious character development, and the message of overcoming your past is clearly demonstrated.
