Close Menu
The Baylor Lariat
    Facebook X (Twitter) Instagram YouTube LinkedIn
    Trending
    • Students react to emergency alert following campus lockdown
    • Baylor shelter-in-place lifted following police pursuit of robbery suspects
    • Baylor graduate charged after killing cats with pellet gun, hanging bodies over utility lines
    • Baylor Football’s Alex Foster dies at 18
    • Board of Regents confirms budget, renovations, new leadership in May meeting
    • How facilities responds to storms, flooding in campus buildings
    • Welcome Week leaders now paid in hopes of increasing numbers
    • 5 Baylor sports storylines to look forward to in 2025-26
    • About us
      • Spring 2025 Staff Page
      • Copyright Information
    • Contact
      • Contact Information
      • Letters to the Editor
      • Subscribe to The Morning Buzz
      • Department of Student Media
    • Employment
    • PDF Archives
    • RSS Feeds
    Facebook X (Twitter) Instagram YouTube LinkedIn
    The Baylor LariatThe Baylor Lariat
    Subscribe to the Morning Buzz
    Saturday, July 5
    • News
      • State and National News
        • State
        • National
      • Politics
        • 2025 Inauguration Page
        • Election Page
      • Homecoming Page
      • Baylor News
      • Waco Updates
      • Campus and Waco Crime
    • Arts & Life
      • Wedding Edition 2025
      • What to Do in Waco
      • Campus Culture
      • Indy and Belle
      • Sing 2025
      • Leisure and Travel
        • Leisure
        • Travel
          • Baylor in Ireland
      • Student Spotlight
      • Local Scene
        • Small Businesses
        • Social Media
      • Arts and Entertainment
        • Art
        • Fashion
        • Food
        • Literature
        • Music
        • Film and Television
    • Opinion
      • Editorials
      • Points of View
      • Lariat Letters
    • Sports
      • March Madness 2025
      • Football
      • Basketball
        • Men’s Basketball
        • Women’s Basketball
      • Soccer
      • Baseball
      • Softball
      • Volleyball
      • Equestrian
      • Cross Country and Track & Field
      • Acrobatics & Tumbling
      • Tennis
      • Golf
      • Pro Sports
      • Sports Takes
      • Club Sports
    • Lariat TV News
    • Multimedia
      • Video Features
      • Podcasts
        • Don’t Feed the Bears
      • Slideshows
    • Advertising
    The Baylor Lariat
    Home»Arts and Life

    Complexity of Dallas Symphony pleases audience

    Baylor LariatBy Baylor LariatSeptember 20, 2012Updated:September 20, 2012 Arts and Life No Comments4 Mins Read
    Share
    Facebook Twitter LinkedIn Pinterest Email

    By Connor Yearsley
    Reporter

    The Dallas Symphony Orchestra opened its new concert season in spectacular fashion this past weekend at the Meyerson Symphony Center in downtown Dallas.

    The program seemed purposefully well-rounded, evoking an array of emotions and showing off a wide range of the orchestra’s capabilities.

    Why the performance wasn’t sold out is hard to understand. It definitely should have confirmed to new patrons that their decision to subscribe was a good one, and should have reminded returning patrons why they renewed their subscriptions.

    Conductor and music director Jaap van Zweden, as per usual, neglected no detail. He conveyed both the tender moments and the rousing moments demonstratively to the orchestra and displayed why he was named Musical America’s Conductor of the Year last season.

    The national anthem was played first, as is customary at the first concert of the season.

    Berlioz’ “Roman Carnival Overture,” started the program with a dramatic flourish that displayed a unity from the orchestra that would not falter for the remainder of the piece, or the program for that matter.

    The English horn solo was played delicately and evoked an almost oxymoronic feeling of jovial solemnity. Most of the latter part of the overture was made up of flurries of excited activity, graced with tambourine trills and the power of the Dallas Symphony’s brass section.

    The lush beauty of Schumann’s Piano Concerto in A minor made up the bulk of the first half of the concert. The opening flourish immediately established the virtuosity of acclaimed pianist Joaquín Achúcarro.

    He played with a masterful amount of emotive finesse, which brought with it an innate sense of easiness. His touch was, at times, maybe even a little too light, occasionally getting overpowered by the strings during the call and response sections and the climactic crescendos.

    The aggressive moments of the first movement were short-lived, with Achúcarro and the orchestra always returning lovingly to the romantic main theme.

    Achúcarro played the abundance of runs throughout the second and third movements with the skill that might fool the audience into believing what they were hearing wasn’t difficult.

    Afterward, the audience gave a standing ovation and Achúcarro rewarded it with an unaccompanied encore. Both the orchestra and the audience listened attentively to the expressiveness and the ease with which he executed his trills and other ornamentations and gave him another ovation.

    The impressionism of Debussy’s “Afternoon of a Faun” was a nice, placid way to start the second half. Decorated with harp runs and interjections from other solo instruments, the piece stood in stark contrast to the “Pines of Rome” that followed.

    Respighi’s symphonic poem “Pines of Rome” was the marquee piece, ending the program.

    It opened with a bustle of sound that, while vibrant, might have been a little too frantic. The bright sound of the horns and the glockenspiel complemented each other nicely, though.

    The brass entrance at the top of the climaxing string runs in the second movement was extremely pulse-pounding and grandiose.

    And all the stops were pulled out for the finale. By the end, even with an ear infection, I’m not sure I’ve heard the hall filled with a more magnificent sound, and that’s saying something.

    Additional brass players were placed in the balcony above the choral terrace and the stage, providing a surround-sound experience, and the organ was also cranking. After van Zweden’s cutoff, the sound took a noticeable amount of time to echo through the hall

    before dissipating. Altogether, the performance seemed amazingly shorter than it really was.

    This coming weekend the Dallas Symphony will play Mussorgsky’s “Pictures at an Exhibition,” which is also sure to be spectacular.

    Tickets are available at www.dallassymphony.com

    Baylor Lariat

    Keep Reading

    What to Do in Waco: Summer Edition

    Fields of joy: Western Belle Farm’s Sunflower Festival returns this May

    Review: ‘Until Dawn’ starts strong, gets lost in the fog

    A&L Tunesday: May 6

    Waco roots to recognition: Texas short film gains national traction

    25th annual Black Glasses highlights best of Baylor filmmakers

    Add A Comment

    Comments are closed.

    Recent Posts
    • Students react to emergency alert following campus lockdown June 27, 2025
    • Baylor shelter-in-place lifted following police pursuit of robbery suspects June 26, 2025
    About

    The award-winning student newspaper of Baylor University since 1900.

    Articles, photos, and other works by staff of The Baylor Lariat are Copyright © Baylor® University. All rights reserved.

    Subscribe to the Morning Buzz

    Get the latest Lariat News by just Clicking Subscribe!

    Follow the Live Coverage
    Tweets by @bulariat

    Facebook X (Twitter) Instagram YouTube LinkedIn
    • Featured
    • News
    • Sports
    • Opinion
    • Arts and Life
    © 2025 ThemeSphere. Designed by ThemeSphere.

    Type above and press Enter to search. Press Esc to cancel.