Released on April 11, this slow-burning psychological thriller doesn’t rely on predictable tropes or recycled plot lines. Instead, it offers something visually striking, emotionally intense and cinematically different. If I could rate it, I’d give it a solid four out of five stars.
Browsing: Cinematography
If you’re a fan of thoughtful, artistic movies, even if you don’t like horror, this is a movie you won’t want to skip out on.
Ultimately, the film works. Whether you’re a “Wicked” expert or a first-time enjoyer, there are plenty of elements and moments in the film for you to love. I would advise doing a little preemptive research into the characters and songs before watching the film. But even without it, you will still be able to enjoy beautiful scenery, funny one-liners and musical numbers that will have you blasting the soundtrack on the drive home.
This film is a romantic fast-burn that catches flame quickly and captures the strange nature of how time unfolds. We all live within the construct of time, and the film serves as a reminder of that — to live as much as we can while we can.
Some may find it an inspiring reflection on the nature of civilization, while others may be frustrated by its narrative inconsistencies. However you feel about it, I think the film did its job.
I typically am a sucker for musicals — “La La Land” and “Moulin Rouge!” being some of my favorites. However, both of those films provided both a compelling narrative and emotional interest — aspects that were absent from this sequel.
You’ll never be able to view tennis the same way.
Every time a new movie adaptation rolls around, you can’t escape the criticisms that come with it. Everywhere you turn, you hear, “The book was better,” “They’re going to butcher the story by turning it into a movie” or “Did you hear that they aren’t including [insert character] in the movie?” And honestly, it’s getting a little old.
I know a battle for spice, the “Lisan Al Giab,” riding giant sandworms and a weird, bald Austin Butler may not sound like a classic recipe for success in the film industry, but that combination delivered the best movie of the year in “Dune: Part Two,” and it’s only April.
Audiences yearn for narratives that defy genre expectations and offer thought-provoking insights into what is relevant in the current day.
Alan Gitlin, one of Hollywood’s most in demand digital imaging technicians gave a presentation to Baylor’s student chapter of the Society of Motion Picture & Television Engineers on Thursday.