Browsing: Music

Watch out, Wild West — Melody Ranch is back in action as Waco’s largest country dance hall.

The Melody Ranch, located off the traffic circle on Robinson Drive, reopened this month after a nearly 13-year hiatus.

The Ranch first opened in 1972 and brought in large crowds for big-name artists, including George Strait, Willie Nelson and Tim McGraw, who played at the Ranch early in their careers.

All is not lost for the Hippodrome.

A development company has big plans to renovate and manage the once great movie theater that hosted everything from Broadway plays to silent film to children’s shows.

The Hippodrome, located at 724 Austin Ave., has received $423,900 in Tax Increment Financing zone funds approved by the Waco City Council last week. The council approved $1.4 million total in downtown renovations including the Hippodrome.

It’s that time of year where the countdown to spring break is what most students have to look forward to. The same goes for the Baylor A Cappella Choir.

This semester marks the choir’s 4th concert tour conducted by Dr. Alan Raines, associate professor of ensembles and director of choral activities. Raines is also the Mary Gibbs Jones Professor of Music.

They can be found walking around college campuses in their vintage clothes, listening to the strange music of obscure artists through their headphones.

Many people follow their style precedent, yet many find them too egotistical to stand. They are hipsters, and they are taking America’s thrift shops and record stores by storm.

Baylor University sees its share of talent come and go as it often hosts famous guests, and it will uphold that legacy by hosting critically acclaimed pianist, Joyce Yang.

Yang will perform at 7:30 p.m. Thursday in Roxy Grove Hall, as part of the Lyceum series. Yang will be treating audience members to a plethora of musical pieces, from works of Chopin and Beethoven to George Gershwin’s “The Man I Love.”

Yang’s concert is free and open to the public.

With the exception of perhaps pop singer Kelly Clarkson, no “American Idol” graduate has had as much career quality control and album-making vision as 29-year-old Carrie Underwood.

She knew she was a country star since before her 2005 season on the show, and this has allowed her to focus — on her image, as an elegant, beautiful Faith Hill successor; on her songwriting, which relies on subtle detail and classy metaphors; and, most of all, on her singing, which can both hammer a high note and draw out a nuance.

With the exception of perhaps pop singer Kelly Clarkson, no “American Idol” graduate has had as much career quality control and album-making vision as 29-year-old Carrie Underwood.

She knew she was a country star since before her 2005 season on the show, and this has allowed her to focus — on her image, as an elegant, beautiful Faith Hill successor; on her songwriting, which relies on subtle detail and classy metaphors; and, most of all, on her singing, which can both hammer a high note and draw out a nuance.

Common Grounds live event coordinator and musician Wes Butler lets the Lariat in on the secrets to success at CG’s rapidly growing backyard stage presence.

From the details on what exactly Butler looks for in an artist to the gigs CG is working on bringing to us next year, Butler reveals the details of CG’s backyard.

Stephen Heyde is the conductor of the Baylor Symphony Orchestra and the Waco Symphony Orchestra and is a prominent figure in the School of Music.

Sitting down with him, the Lariat learned about his views on the progression and future of music, as well as its role in peoples’ lives.

The Rocket Summer, the stage name for solo artist Bryce Avary, is the prime definition of a self-made musician.

Getting the name of the solo project from a chapter title of Ray Bradbury’s “The Martian Chronicles,” Avary has been recording and performing since age 12.

Sitting down with Avary before a recent performance in Waco Hall, the Lariat learned more about Avary’s entry into the music scene and his life experiences so far.

Baylor has a rich musical scene, and it’s about to get even richer with the third annual JaZZ and StanZaZ show tonight.

The show, hosted by the Zeta Phi Beta sorority and Diverse Verses Poetry group, will be held from 6:20 to 9 p.m. in the Bill Daniel Student Center Den.

Performances will include song and spoken word poetry selections by Baylor students from a variety of backgrounds.

A 2,500 year old Eurepides classic is getting a steampunk makeover in the Baylor Theatre’s production of “Hecuba,” showing nightly until the weekend.

The show itself was truly a work of art. From the beginning to the end, the actors and actresses, including Michael Griffin as Polydorus and Nellsyn Hill as Hecuba, helped bring the performance to life through pure emotion.

Though the story contains historical elements, Waco graduate student and director Christopher Peck says the play speaks for itself.

Today’s Baylor Symphony Orchestra concert will shine the spotlight on one of the School of Music’s outstanding student musicians.

Ricardo Hamaury Gómez, winner of the 2012 Baylor Concerto Competition, will perform Hungarian composer Béla Bartók’s Violin Concerto No. 2 today at 7:30 p.m. in Jones Concert Hall in the Glennis McCrary Music Building.

Uproar Concert Promotions, an organization that is branching off of student-run record company Uproar Records, is launching its first show this week.

The Rocket Summer, a one-man band started by Bryce Avary, will perform in Waco Hall this Thursday, with both David Dulcie and Layne Lynch opening. Lynch shares an interesting connection with Avary.

Contestants of the 12th annual Miss Phi Iota Alpha scholarship pageant will showcase brains and beauty at 7 p.m. this Saturday in Waco Hall.

Pageant vice president David Luna says that they try to make every year better than the last, with more contestants and more money.

Country singer Sammy Kershaw is thankful to be alive after his tour bus was struck by another vehicle.
It happened Friday in Nocona, Texas. The impact caused major damage to the bus, and the car was totaled.

Sure, Carrie Underwood might have lost out to brassy spitfire Miranda Lambert at the 46th Country Music Association Awards in Nashville last week. But the host – who pulled off the duty for a fifth time with fellow country star Brad Paisley – is reveling in all the attention the genre is currently getting.

The Waco Symphony Orchestra’s “A Salute to Sgt. Pepper!” concert on Thursday night is sure to be nostalgic for some and perhaps novel for others.

The concert will commemorate the 45th anniversary of The Beatles’ eighth studio album, “Sgt. Pepper’s Lonely Hearts Club Band,” which was released on June 1, 1967.

Rolling Stone magazine ranks the album No. 1 on its “500 Greatest Albums of All Time” list, saying, “‘Sgt. Pepper’s Lonely Hearts Club Band’ is the most important rock and roll album ever made…by the greatest rock and roll group of all time.”

At 5 p.m. today the bells in the belfry of Pat Neff Hall will knell as part of the homecoming festivities.

Lynnette Geary, resident carillonneur (pronounced CARE-uh-lahn-oo-er), and one of her students, junior from Spring, Texas, Jonathan Castillo, will perform the annual homecoming carillon recital.

Geary said she’s lost track of how many years she’s been performing this recital now, but she’d guess at least 16.

Pianist Helge Antoni, an Exclusive Steinway Artist from Malmö, Sweden, will perform at 7:30 p.m. on Saturday, Nov. 10 in Roxy Grove Auditorium.

The recital, Inspiración Latina, will feature the music of composers Scarlatti, Albeniz, Turina, de Falla, Villa-Lobos, Ginastera and Piazzolla.

The student-organized ensemble Renew Music Group will offer audience members a different experience not typically heard in the School of Music at its upcoming concert.

“This sort of thing hasn’t really happened at Baylor in a long time,” said Mark Utley, Fredricksberg senior and percussionist in the group.

The concert will take place at 10 p.m. Nov. 6 in Jones Concert Hall in the Glennis McCrary Music Building.

If you’re like the rest of the world, music is part of your daily routine.

You crank it at the gym. You blare it in the car. You hum along to it while boiling pasta for dinner.

You can’t imagine life without music. But are you hearing it?

Coming from a place of pain and brokenness may be enough to cripple the average person, but Christian singer and songwriter Kyle Sherman has responded to difficult times in life by calling out to God through his music.

Sherman’s debut studio album, “Hear Me,” was released Oct. 7.

The full-band stylings of Lomelda echoed through the auditorium of University Baptist Church on Friday, with front-woman Hannah Read delivering a solid performance, according to those in attendance.

Lomelda, which started as a solo project by Read, has expanded to a huge local following over the past five years. Their music, which could be called a mellow, harmonic sound, had the audience in awe at the CD release show.

“I thought it was a really cool experience to have such an intimate show with all the instruments put together,” said Corpus Christi freshman Jeaneva Alvarez, who attended the show.

Wednesday’s annual Halloween organ concert will be a different way to spend the holiday and is likely to change some people’s perceptions of the instrument.

“When people think of organ they think of two things: They think of church music and they think of scary spooky,” said Isabelle Demers, assistant professor of organ at Baylor.

Demers, who has only taught at Baylor since the beginning of the year, said she thinks the spooky organ sounds people are used to hearing, such as in film scores, are often synthesized and usually don’t do the real thing justice. She said the organ should be experienced in a hall.

Taylor Swift’s fourth studio effort, “Red,” makes a statement as bold as its namesake color: As Swift matures into a woman, her talent is here to stay.

With an eclectic mix of radio-ready pop songs, twangy country tunes and heartbreaking ballads, Swift proves her range both lyrically and musically.

Although she teamed up with several co-writers for this album, the lyrics are still signature Swift.