By Ibrahim Barzak
GAZA CITY, Gaza Strip — Gaza’s tiny movie industry may struggle with amateur actors and power outages, but at least it has a winning formula of which the producers never seem to tire: the heroics, from a Palestinian perspective, of those fighting Israeli occupation.
“Losing Schalit” will be the second feature-length film made in the blockaded territory since 2009.
It’s the first of a planned three-part series about the 2006 capture of Israeli soldier Gilad Schalit by gunmen allied with the Islamic militant Hamas movement.
It’s currently in production and parts two and three will depict Schalit’s time in captivity and his 2011 swap for hundreds of Palestinian prisoners held by Israel.
Like the first Gaza film, about a senior militant commander, it received financing from the Hamas government.
The Schalit capture and eventual prisoner swap are seen by Hamas as a triumph in its long-running confrontation with Israel, and helped boost the movement’s support in Gaza.
Writer-director Majed Jundiyeh, who also made the territory’s first full-length feature “Emad Akel”— a 2009 film about the Hamas military wing commander of the same name — said his work is intentionally political.
“I’m working to establish a movie industry of resistance in Gaza, to reflect the Palestinian story with Palestinian actors,” he said.
Jundiyeh, 47, studied film in Germany in the 1980s and 1990s and said his teachers included director Volker Schloendorff, a prominent member of the New German Cinema.
After his return to Gaza in 1996, Jundiyeh made documentaries and acted in a soap opera on Palestine TV.
Since the Emad Akel movie, filmmakers in Gaza have produced several documentaries and short films, but making full-length movies remains a challenge.
Gaza has suffered from border blockades by neighboring Egypt and Israel since Hamas seized the territory in a violent takeover in 2007. Egypt tightened its border closure several months ago, exacerbating daily power cuts.
Jundiyeh said he contends with funding shortages, lack of equipment and crews without technical expertise.
The Culture Ministry in Gaza is financing the Schalit movie, along with contributions from a local production company, al-Wataniya, and Jundiyeh himself, according to al-Wataniya.
In an added difficulty, most of the dialogue in the 105-minute “Losing Schalit” is in Hebrew, a language most of the dozens of amateur actors don’t speak.
That includes Mahmoud Karira, a 27-year-old Gaza firefighter who was chosen for the Schalit role because of his resemblance to the lanky, bespectacled Israeli soldier.
“It’s very hard for me to speak Hebrew,” said Karira, who has eight lines.
Karira said he repeats each line dozens of times before each shoot, but that some of the scenes require several takes.
Israel has imprisoned tens of thousands of Palestinians for alleged political violence since capturing the West Bank, Gaza and east Jerusalem in 1967.
Palestinian politics is dominated by two camps — backers of Palestinian President Mahmoud Abbas who seeks a state in the lands captured by Israel in 1967 and supporters of Hamas, which wants to set up an Islamic state between the Mediterranean and the Jordan River, including in what is now Israel.
Jundiyeh said he needs at least $120,000 for the first Schalit movie, but that the budget could swell to $350,000. He was evasive about sources of funding.
An official in the Culture Ministry said the Gaza government contributed $95,000.
The official spoke on condition of anonymity because the ministry has not issued a press release about the film.