When I was a little girl, I was always astounded when someone made the prediction that a movie would have a sequel, having no understanding whatsoever of the way the minds of studio executives worked. Could I have foreseen the “Little Mermaid 2?” Or 3? No, but someone more savvy could smell a string of bad Disney sequels a mile off. These add-ons, which I invariably found disappointing, served only to cash in on the good name of a better movie. Money could be made from unnaturally extending a story which had reached a satisfying conclusion–and it was.
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